If you've never tried drawing with charcoal dust before I strongly recommend it. It's a great way to get grounded and sculptural, forcing you to move outside of the tight confines of using only one linear platform. You are then at liberty to build with compressed charcoal marks or excavate by rubbing back with a kneadable eraser, sustaining the idea of searching out an image as opposed to dictating its predicament. Sarah has executed these pieces with more and more ease and fluidity as she progressed creating a sensuous undercurrent in her work.
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